KREIVAS PRISITAIKYMAS<\/div>\n

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Lapkri\u010dio 18 d., 17val., kvie\u010diame \u012f Aist\u0117s Kalvelyt\u0117s ir Hasan Alp \u00c7elikel parodos “Kreivas Prisitaikymas” ekskursij\u0105. Ekskursija vyks lietuvi\u0173 ir angl\u0173 kalbomis.<\/div>\n

Parodos autoriai apm\u0105sto individo ir visuotini\u0173 norm\u0173 s\u0105veikos b\u016bdus, kviesdami patyrin\u0117ti \u017emogaus veikimo modelius \u0161iuolaikin\u0117je visuomen\u0117je. Parodoje palie\u010diami tiek vidiniai konfliktai m\u0117ginant atrasti savo individual\u0173 keli\u0105 tarp \u0161i\u0173 norm\u0173 ir standart\u0173, tiek platesnis kontekstas ap\u017evelgiantis skirtingus b\u016bdus funkcionuoti konformizmo reikalaujan\u010diame pasaulyje.<\/div>\n

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Ekspresyv\u016bs Hasan Alp \u00c7elikel pie\u0161iniai \u2013 tai menin\u0117 kelion\u0117 gilyn \u012f vidines \u017emogaus psichikos kerteles. Keistos, i\u0161kreipt\u0173, neproporcing\u0173 form\u0173 fig\u016bros \u2013 tai m\u0117ginimas perteikti savo b\u016bsenas bei \u017emoni\u0173 charakterio bruo\u017eus nukrypstan\u010dius nuo \u012fprastini\u0173 standart\u0173. Jo k\u016briniuose atsiskleid\u017eia vidin\u0117 kova m\u0117ginant prisitaikyti prie visuotini\u0173 norm\u0173. Menininko k\u016briniai atspindi \u201cvidinius monstrus\u201d \u2013 \u0161e\u0161\u0117lines asmenyb\u0117s puses, da\u017enai slopinamas ar atmetamas kaip nepriimtinas ar \u017ealingas. Savo k\u016bryba Hasan kvie\u010dia \u017ei\u016brovus susim\u0105styti, k\u0105 rei\u0161kia gyventi visuomen\u0117je, kurioje atitikimas nustatytoms normoms ne visada yra sklandus.<\/div>\n

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Aist\u0117 Kalvelyt\u0117 parodoje pristato k\u016brinius palie\u010dian\u010dius aktualias ekologines, politines, kult\u016brines ir socialines problemas, bei nagrin\u0117ja \u017emogaus santyk\u012f su jo aplinka \u2013 gamta, architekt\u016bra, visuomene. Vienu i\u0161 pagrindini\u0173 darb\u0173 \u0161ioje parodoje tampa jos skulpt\u016brin\u0117 instaliacija “AuthentiCity. Absurdistan”, kurioje meninink\u0117 nagrin\u0117ja autenti\u0161kum\u0105 \u0161iuolaikin\u0117s egzistencijos kontekste. \u0160i instaliacija – tai penki\u0173 dali\u0173 pasakojimas, simbolizuojantis sav\u0119s pa\u017einimo ir veikimo visuomen\u0117je bei pasaulyje etapus. Nuo neabejotino prisitaikymo iki visuomen\u0117s norm\u0173 atmetimo – meninink\u0117 vaizduoja konformizmo absurdi\u0161kum\u0105 ir kartu pripa\u017e\u012fsta jo beprasmi\u0161kum\u0105. Savo id\u0117joms perteikti ji pasitelkia miesto metafor\u0105: architekt\u016briniai elementai simbolizuoja penkias sav\u0119s suvokimo visuomen\u0117je pakopas, o ma\u017eesn\u0117s fig\u016brin\u0117s skulpt\u016bros vaizduoja asmenis, kurie renkasi \u012fvairius prisitaikymo ar nekonformizmo kelius. K\u016br\u0117ja kvie\u010dia apm\u0105styti savo vaidmenis ir pasirinkimus \u0161iuolaikin\u0117s visuomen\u0117s sistemose.<\/div>\n

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\nApie parodos autorius:<\/div>\n

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Hasan Alp \u00c7elikel [TR\/LT] \u2013 menininkas ir “U\u017eiateka” organizacijos meno vadovas, Vilniaus dail\u0117s akademijoje baig\u0119s keramikos bakalauro studijas. Jo k\u016bryba, \u012fkv\u0117pta daugiakult\u016br\u0117s patirties, apima garso men\u0105, instrument\u0173 k\u016brim\u0105 ir vizualiuosius menus. Savo k\u016bryboje Hasan tyrin\u0117ja realyb\u0117s ir pas\u0105mon\u0117s sankirt\u0105, semdamasis \u012fkv\u0117pimo i\u0161 \u012fvairialypi\u0173 \u017emoni\u0173 asmenybi\u0173 ir charakterio bruo\u017e\u0173, pabr\u0117\u017edamas j\u0173 kra\u0161tutinumuose slypint\u012f gro\u017e\u012f.<\/div>\n

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Aist\u0117 Kalvelyt\u0117 savo k\u016bryb\u0105 pl\u0117toja keramikos, tapybos, muzikos srityse. Gimusi ir u\u017eaugusi Panev\u0117\u017eyje, Vilniaus dail\u0117s akademijoje baig\u0117 keramikos bakalauro ir magistro studijas, Vilniuje gyvena bei kuria iki \u0161iol. Aist\u0117s k\u016brybai b\u016bdingos socialin\u0117s, politin\u0117s, ekologin\u0117s temos. Be k\u016brybos vizuali\u0173j\u0173 men\u0173 srityje meninink\u0117 taip pat groja b\u016bgnais grup\u0117se \u201eTureto Sindromas\u201c, \u201eKeista Bjauri \u017duvis\u201c, \u201ePli\u00e9\u201c.<\/div>\n

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\nParodos kurator\u0117: Liucija Dervinyt\u0117<\/div>\n

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[EN]<\/div>\n

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AWRY ADAPTATION<\/div>\n

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On the 18th of November, 5pm, we invite you to a guided tour of Aist\u0117 Kalvelyt\u0117 and Hasan Alp \u00c7elikel’s exhibition “Awry Adaptation”. The tour will be in Lithuanian and English.<\/div>\n

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The authors of this exhibition reflect on the ways in which the individual interacts with universal norms, inviting to experience the patterns of human existence in contemporary society. The exhibition addresses both the inner conflicts of trying to find one’s own individual path between these norms and standards, as well as the broader context of looking at different ways of functioning in a conformist world.<\/div>\n

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Hasan Alp \u00c7elikel’s expressive drawings are an artistic journey into the inner explorations of the human psyche. The strange, distorted, disproportionate shapes are an attempt to convey one’s state of mind and the distortions of human characters. His works reveal an inner struggle to conform to universal norms. The artist’s works reflect the “inner monsters” – the shadow sides of personality that are often repressed or rejected as unacceptable or harmful. Hasan’s works invite the viewer to reflect on what it means to live in a society where conformity to established norms is not always smooth.<\/div>\n

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Aist\u0117 Kalvelyt\u0117\u2018s ceramic sculptures touch un relevant ecological, political, cultural, and social issues by exploring the relationship between human and his environment – nature, architecture, and society. One of the main works in this exhibition is her sculptural installation \u201cAuthentiCity. Absurdistan\u201d, in which the artist explores authenticity in the context of contemporary existence. The installation is a five-part narrative that symbolises the stages of self-knowledge and ways of being in society and in the world. From unquestioned conformity to the rejection of societal norms, the artist shows the absurdity of conformity, while acknowledging its futility. She uses the metaphor of the city to convey her ideas: architectural elements symbolise the five stages of self-perception in society, while smaller figurative sculptures represent individuals choosing different paths of conformity or nonconformity. The artist invites us to reflect on our roles and choices in the systems of contemporary society.<\/div>\n

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\nAbout the artists:<\/div>\n

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Hasan Alp \u00c7elikel [TR\/LT] is an artist and artistic director of \u201cU\u017eiateka\u201d organisation, who graduated from Vilnius Academy of Arts with a BA in ceramics. Inspired by his multicultural experiences, his work encompasses sound art, instrument making and visual art. Hasan’s work explores the intersection between reality and the subconscious, drawing inspiration from people\u2019s diverse personalities and character traits, highlighting the beauty that lies in their distortion.<\/div>\n

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Aist\u0117 Kalvelyt\u0117 develops her work in ceramics, painting and music. Born and raised in Panev\u0117\u017eys, she graduated from Vilnius Academy of Arts with a bachelor degree and a master degree in ceramics, and has been living and working in Vilnius ever since. Aist\u0117’s work is characterised by social, political and ecological themes. Besides her work in visual arts, Aist\u0117 also plays drums in the bands “Tureto Sindromas”, “Keista Bjauri \u017duvis” and “Pli\u00e9”.<\/div>\n

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\nCurator: Liucija Dervinyt\u0117<\/div>\n

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